The Party

Laughter filled the room;
Streamers decorated the ceiling-
My fourth birthday,
I knew I was beautiful in
My favorite party dress-
Lights dimmed as
I blew out the candles
On my cake-
Cherry frosting upon
Angel food,
My very favorite-
Inside I was
Echoing my mother’s smile-
I was a different star,
Though bright and
Beaming with happiness –
I loved myself-
A different star,
Though too young to fathom
Life’s meaning,

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poem by Claudia Krizay
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Funky

* {intro talking by ultra left out}
[kool keith]
I brought a band, sam is on trombone
He's blowin' hard, back-to-back notes, get with it
Take off your coat, meditate, let your brain compel
Just think as the beat excels to your eardrums
Cause cells to numb and freeze while i break off at ease
Real smooth, combined the piano
My voice nasal, no soprano is needed
To get overheated and burn while the technics' turn
For the u-l, the t, the r-uh-a
You got a copy? watch the record play
Bite more...spin it every day
You wake up and try to make up a rhyme that fear me
But let me tell you straight, i know you hear me
And when i'm on the stage you just cheer me up another level
Down below i'm throwin' with the devil in a cage
I'm on the rampage, you need a number? wanna know my age?
Psyche! i carry a magnum
Other groups - i only will rag them, and wait

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song performed by Ultramagnetic Mc's
Added by Lucian Velea
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The Black Sheep

"The aristocratic ne'er-do-well in Canada frequently finds his way
into the ranks of the Royal North-West Mounted Police." -- Extract.

Hark to the ewe that bore him:
"What has muddied the strain?
Never his brothers before him
Showed the hint of a stain."
Hark to the tups and wethers;
Hark to the old gray ram:
"We're all of us white, but he's black as night,
And he'll never be worth a damn."

I'm up on the bally wood-pile at the back of the barracks yard;
"A damned disgrace to the force, sir", with a comrade standing guard;
Making the bluff I'm busy, doing my six months hard.

"Six months hard and dismissed, sir." Isn't that rather hell?
And all because of the liquor laws and the wiles of a native belle--
Some "hooch" I gave to a siwash brave who swore that he wouldn't tell.

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poem by Robert William Service
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Transcription of Organ Music

The flower in the glass peanut bottle formerly in the
kitchen crooked to take a place in the light,
the closet door opened, because I used it before, it
kindly stayed open waiting for me, its owner.

I began to feel my misery in pallet on floor, listening
to music, my misery, that's why I want to sing.
The room closed down on me, I expected the presence
of the Creator, I saw my gray painted walls and
ceiling, they contained my room, they contained
me
as the sky contained my garden,
I opened my door

The rambler vine climbed up the cottage post,
the leaves in the night still where the day had placed
them, the animal heads of the flowers where they had
arisen
to think at the sun

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poem by Allen Ginsberg
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Now, Heart' - Some Of What I Remember When I Listen

A river is a process through time, and the river stages are its momentary parts.
—Willard Van Orman Quine

From early poems,1970s, youthful indiscretions/attempts to vocally/poetically arrive at/derive a worthwhile writer's voice. Some explication might serve or enhance these under serving, undeserving though 'striving-after' poems hidden in old journals understandably unpublished but now so with apologies which are these expiatory explanations. Recently rediscovering these early arrivals, derivative yet aspiring I recognized and reembraced an enduring self maturing, arriving into late middle age:

Obsessed newly by jazz, mad about the many miraculous lady singers, entranced all too easily as youth are wont to be by sorrows and sexual infatuations which feel, emphasis on 'feel', like love, here are two of many 'songs' as tributes and life markers to jazz singers who provided soundtrack and felt expression to my angst and easily inflated/deflated sense of self, of beloved others, and of that new territory, independent life away from parental home and childhood community discovering, blundering into the fray of separate hearts and minds, irresponsible genitals and insouciant jouissance ('juiciness', in French) , discovering then and again and again that like Walt Whitman I 'contain worlds' and many disparate selves poorly formed, most of them collective projections and expectations of who or what I wanted to be, what others wanted and expected me to be, resulting in much confusion, tumult and multitudes of momentary throw-away selves. Thus singers like Bessie Smith and Dinah Washington became anchors, warm contexts and containers, for my daily fragmentation and re-formation.

I lived on 3rd street in downtown Chattanooga, a refugee from zealous, politically conservative white evangelicals and the vestigial yet still viral Southern Confederacy. Just a block or two from where Bessie Smith was born, I used to watch from my upstairs porch the steep hilly street's comings and goings with a glimpse of the Tennessee River between tenements across the street, its persistent rich aroma heavy in the air. I imagined Bessie Smith as a little girl playing up and down the street like the kids I saw then - once, two of them gleefully chasing a frighteningly large and confused looking rat.

William—he insisted on 'Willie'—an old man down the street who knew Bessie as a little girl, used to come up to my porch after one day hearing Bessie from my phonograph singing blues onto the always busy but attentive street. One of the first and permanent things I learned from my porch is that a city street has keen, observant eyes, acute ears, omnivorously seeing/hearing everything, indifferently, perhaps, but nothing escapes it, a roving, all-knowing urban Eye of God.

Extremely green and eager as green always is though stutteringly, and without apology, I enjoyed Willie's many stories and back pocket bottles of Old Mr. Boston Apricot Brandy, both of which—story and spirits/spirited story —dissolved or appeared to, age, racial, cultural, and sociological differences, along with those catalysts/cata-lusts, the forever alchemical Bessie and other jazz singers, Billie! Dinah! Ella! Sassy! Lil Ester Phillips! Nina Simone! to name only a few of the sensuous solutio chanteuses resolving sexual confoundaries by Miss-ambiguating sins' plethera with loose lilt and will- o-the-lisp whisper tongues.

One night Willie, much 'in the pocket'—an expression for being well onto tipsy which I've never heard from anyone but him—wanted to dance to a Bessie tune playing, 'Back Water Blues', him recalling nights as a young man in rural Tennessee where he'd worked hard days in oppressive vegetable fields then hit the after hours juke joints for 'colored, twas segregation days, ' he explained, where he would go to drink, dance then dive/delve, as it were, into the sensual mysteries of moist skin, hot breath, mutually open mouths with their commodious moans and mumbles, venial hands, always vital parts, private hearts mutually pounding ancient known rhythms, odors and tastes of gin and those slender, forbidden, now greedily stolen bites in those all too short nights with their damned intrusive dawns.

'Dawnus interuptus, ' I quipped, us both slapping knees, passing the narrative bottle fore and aft hefting moments re-grasped between us, offerings to the equally narrative river, the all-knowing hungry street.

Jumping to his feet, Willie described 'powder dancin'' (pronounced marvelously, 'powdah') which I had never heard of. Talcum powder would be copiously scattered onto the dance floor where couples in stocking or bare feet would ecstatically dance, gliding and sliding sweetly scented, muskily bent toward later glides and slides in the slippery joy of momentary allure and amour on dimmed porches or surrounding woods often enough and gratis upon delicate slabs of moonlight gratuitously dewy providing cushion for Passion's out and in, honoring and dignifying deities of skin wanting more making more skin, headlong Nature's frictional algo-rhythms indelibly scored in every/each his/her yawing yen.

Willie shouted, 'YOU GOT ANY TALC POWDER? ! '

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poem by Warren Falcon
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Life In The Land Of The Dead

I live in the land of the dead.
Upon this path I have taken my walk alone.
My feet would hit the ground with hard and steady steps.
I hear cymbals crashing and the tuneful rhythm of the beating of drums.
I have lost myself along the way.
A lost and crying soul I am,
Living in a sea of shattered tranquility,
Only a shadow, I have silently slipped away through
An open crack in the back door of this place,
This place where the carpet is chartreuse and urine stained,
The stench of perspiration reeks here in this room, and
Tiled walls are sallow and filthy-
I sit upon this chair, its upholstery sadly torn,
Foam rubber poking out of every hole-
Old men, zombie like, overmedicated pace up and down the room and
A pasty –faced young woman, wrists bandaged-both of them…
I can hear the piano playing out of tune in the solarium.
My ears are crying out for some peace and some silence-
“Listen, listen, ” I whisper hoarsely – a cry for help-
I am a captive in my own world, as I

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poem by Claudia Krizay
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The Vote of Thanks Debate

The Other Night I got the blues and tried to smile in vain.
I couldn’t chuck a chuckle at the foolery of Twain;
When Ward and Billings failed to bring a twinkle to my eye,
I turned my eyes to Hansard of the fifteenth of July.
I laughed and roared until I thought that I was growing fat,
And all the boarders came to see what I was laughing at:
It rose the risibility of some, I grieve to state—
That foolish speech of Brentnall’s in the Vote of Thanks debate.

O Brentnall, of the olden school and cold sarcastic style!
You’ll take another WORKER now and stick it on your file;
“We’re very fond of poetry,”—we hope that this is quite
As entertaining as the lines you read the other night.
We know that you are honest, but ’twas foolish to confess
You read and file the WORKER; we expected something less.
We think an older member would have told the people, so—
“My attention was directed to a certain print” (—you know).

The other night in Parliament you quoted something true,
Where truth is very seldom heard except from one or two.

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poem by Henry Lawson
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Evocation of River and Spirits

in this city

to guess

having no acumen with
numbers and math but
father's over there
in the cup tilted
over
spilling into

o endlessly
it's seams

it seems
from river bank
into memory which
is - already
over-said
overheard redundantly

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poem by Warren Falcon
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Night In State Street

Art thou he?—
The seer and sage, the hero and lover—yea,
The man of men, then away from the haughty
day
Come with me!

Ho—ho! to the night—
The spangled night that would the noon outstare.
Her skirts are fringed with light,
She is girdled and crowned with gems of fire that flare.
The city is dizzy with the thrill of her—
Her shining eyes and shadowy floating hair;
And curious winds her nebulous garments blur,
Blowing her moon-white limbs and bosom bare.

She beckons me—
Down the deep street she goes to keep her tryst.
Come—come—oh follow! oh see

The many-windowed walls uprear so high

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poem by Harriet Monroe
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Scroll For New York City - A Son To His Sums of Eros & Father, Oh! & The River

memory

torques

into soft

teas

June

steeps

turns

steaming

said window

(and torsos)

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poem by Warren Falcon
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Kaddish, Part I

Strange now to think of you, gone without corsets & eyes, while I walk on
the sunny pavement of Greenwich Village.
downtown Manhattan, clear winter noon, and I've been up all night, talking,
talking, reading the Kaddish aloud, listening to Ray Charles blues
shout blind on the phonograph
the rhythm the rhythm--and your memory in my head three years after--
And read Adonais' last triumphant stanzas aloud--wept, realizing
how we suffer--
And how Death is that remedy all singers dream of, sing, remember,
prophesy as in the Hebrew Anthem, or the Buddhist Book of An-
swers--and my own imagination of a withered leaf--at dawn--
Dreaming back thru life, Your time--and mine accelerating toward Apoca-
lypse,
the final moment--the flower burning in the Day--and what comes after,
looking back on the mind itself that saw an American city
a flash away, and the great dream of Me or China, or you and a phantom
Russia, or a crumpled bed that never existed--
like a poem in the dark--escaped back to Oblivion--
No more to say, and nothing to weep for but the Beings in the Dream,
trapped in its disappearance,

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poem by Allen Ginsberg
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Some Ways Of Looking At A Black Mouse

[to the reader:
This is part of a series poem...this one
follows 'Instead of You Today One Black Mouse'
which should be read before this one for greater
context. There is a playing going on in both
poems which is not only about love had and lost,
a black mouse that shows up, as well as a dove,
the day before the lover returns permanently
to live in native country of India. There is
a Wallace Stevens' playing with notions of
poetry, meaning, and more, and a playing with
language and signs which shall hopefully lend
some jarring but enjoyable takes/slants/songs/
glyphs.

When you see the 'x's
in the poem, read
'times' as in the
math sign for multi-
plication. & of course

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poem by Warren Falcon
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The School-Boy

THESE hallowed precincts, long to memory dear,
Smile with fresh welcome as our feet draw near;
With softer gales the opening leaves are fanned,
With fairer hues the kindling flowers expand,
The rose-bush reddens with the blush of June,
The groves are vocal with their minstrels' tune,
The mighty elm, beneath whose arching shade
The wandering children of the forest strayed,
Greets the bright morning in its bridal dress,
And spreads its arms the gladsome dawn to bless.
Is it an idle dream that nature shares
Our joys, our griefs, our pastimes, and our cares?
Is there no summons when, at morning's call,
The sable vestments of the darkness fall?
Does not meek evening's low-voiced Ave blend
With the soft vesper as its notes ascend?
Is there no whisper in the perfumed air
When the sweet bosom of the rose is bare?
Does not the sunshine call us to rejoice?
Is there no meaning in the storm-cloud's voice?

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poem by Oliver Wendell Holmes
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Epistle to an Orphan after William Mackworth Praed A Letter of Advice

They tell me you're promised a mother,
to cuddle, to cosset, to care.
Take care for she may try to smother,
to cover her inner despair.
The experts agree that another
could just as well clinch the affair, -
and beware that you never discover
the father who's no longer there.

(Parody William Mackworth PRAED - A Letter 31 October 1990)

A Letter to PH from a Disappointed Writer

Dear PH, I leave you this letter
after writing from ten until nine
for a site I'd delight to know better,
for a smile that my heart can't decline.
Yet one finds after wearily pacing,

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poem by Jonathan Robin
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