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Pablo Neruda about life

Pablo Neruda

The Dead Woman

If suddenly you do not exist,
if suddenly you are not living,
I shall go on living.

I do not dare,
I do not dare to write it,
if you die.

I shall go on living.

Because where a man has no voice,
there, my voice

Where blacks are beaten,
I can not be dead.
When my brothers go to jail
I shall go with them.

When victory,
not my victory,

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Pablo Neruda

A child who does not play is not a child, but the man who doesn't play has lost forever the child who lived in him and who he will miss terribly.

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Pablo Neruda

Finale

Matilde, years or days
sleeping, feverish,
here or there,
gazing off,
twisting my spine,
bleeding true blood,
perhaps I awaken
or am lost, sleeping:
hospital beds, foreign windows,
white uniforms of the silent walkers,
the clumsiness of feet.

And then, these journeys
and my sea of renewal:
your head on the pillow,
your hands floating
in the light, in my light,
over my earth.

It was beautiful to live

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Pablo Neruda

And because Love battles

And because love battles
not only in its burning agricultures
but also in the mouth of men and women,
I will finish off by taking the path away
to those who between my chest and your fragrance
want to interpose their obscure plant.

About me, nothing worse
they will tell you, my love,
than what I told you.

I lived in the prairies
before I got to know you
and I did not wait love but I was
laying in wait for and I jumped on the rose.

What more can they tell you?
I am neither good nor bad but a man,
and they will then associate the danger
of my life, which you know

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Pablo Neruda

Sonnet XXV

Before I loved you, love, nothing was my own:
I wavered through the streets, among
Objects:
Nothing mattered or had a name:
The world was made of air, which waited.

I knew rooms full of ashes,
Tunnels where the moon lived,
Rough warehouses that growled 'get lost',
Questions that insisted in the sand.

Everything was empty, dead, mute,
Fallen abandoned, and decayed:
Inconceivably alien, it all

Belonged to someone else - to no one:
Till your beauty and your poverty
Filled the autumn plentiful with gifts.

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Pablo Neruda

Poem XIII

I have gone marking the atlas of your body
with crosses of fire.
My mouth went across: a spider, trying to hide.
In you, behind you, timid, driven by thirst.

Stories to tell you on the shore of evening,
sad and gentle doll, so that you should not be sad.
A swan, a tree, something far away and happy.
The season of grapes, the ripe and fruitful season.

I who lived in a harbor from which I loved you.
The solitude crossed with dream and with silence.
Penned up between the sea and sadness.
Soundless, delirious, between two motionless gondoliers.

Between the lips and the voice something goes dying.
Something with the wings of a bird, something of anguish and oblivion.
The way nets cannot hold water.
My toy doll, only a few drops are left trembling.
Even so, something sings in these fugitive words.

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Pablo Neruda

Sonnet XVII

I don’t love you as if you were a rose of salt, topaz,
or arrow of carnations that propagate fire:
I love you as one loves certain obscure things,
secretly, between the shadow and the soul.

I love you as the plant that doesn’t bloom but carries
the light of those flowers, hidden, within itself,
and thanks to your love the tight aroma that arose
from the earth lives dimly in my body.

I love you without knowing how, or when, or from where,
I love you directly without problems or pride:
I love you like this because I don’t know any other way to love,

except in this form in which I am not nor are you,
so close that your hand upon my chest is mine,
so close that your eyes close with my dreams.

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Pablo Neruda

Ode to the Book

When I close a book
I open life.
I hear
faltering cries
among harbours.
Copper ignots
slide down sand-pits
to Tocopilla.
Night time.
Among the islands
our ocean
throbs with fish,
touches the feet, the thighs,
the chalk ribs
of my country.
The whole of night
clings to its shores, by dawn
it wakes up singing
as if it had excited a guitar.

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Pablo Neruda

If You Forget Me

I want you to know
one thing.

You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists:
aromas, light, metals,
were little boats that sail
toward those isles of yours that wait for me.

Well, now,
if little by little you stop loveing me
I shall stop loving you little by little.

[...] Read more

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Pablo Neruda

Sonnet VIII: If your eyes were not the color of the moon

If your eyes were not the color of the moon,
of a day full [here, interrupted by the baby waking - continued about 26
hours later ]
of a day full of clay, and work, and fire,
if even held-in you did not move in agile grace like the air,
if you were not an amber week,

not the yellow moment
when autumn climbs up through the vines;
if you were not that bread the fragrant moon
kneads, sprinkling its flour across the sky,

oh, my dearest, I could not love you so!
But when I hold you I hold everything that is -
sand, time, the tree of the rain,

everything is alive so that I can be alive:
without moving I can see it all:
in your life I see everything that lives.

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Pablo Neruda

Sonnet VIII

If your eyes were not the color of the moon,
of a day full [here, interrupted by the baby waking -- continued about 26
hours later ]
of a day full of clay, and work, and fire,
if even held-in you did not move in agile grace like the air,
if you were not an amber week,

not the yellow moment
when autumn climbs up through the vines;
if you were not that bread the fragrant moon
kneads, sprinkling its flour across the sky,

oh, my dearest, I could not love you so!
But when I hold you I hold everything that is --
sand, time, the tree of the rain,

everything is alive so that I can be alive:
without moving I can see it all:
in your life I see everything that lives.

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Pablo Neruda

The Light Wraps You

The light wraps you in its mortal flame.
Abstracted pale mourner, standing that way
against the old propellers of the twighlight
that revolves around you.

Speechless, my friend,
alone in the loneliness of this hour of the dead
and filled with the lives of fire,
pure heir of the ruined day.

A bough of fruit falls from the sun on your dark garment.
The great roots of night
grow suddenly from your soul,
and the things that hide in you come out again
so that a blue and palled people
your newly born, takes nourishment.

Oh magnificent and fecund and magnetic slave
of the circle that moves in turn through black and gold:
rise, lead and possess a creation

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Pablo Neruda

The People

I recall that man and not two centuries
have passed since I saw him,
he went neither by horse nor by carriage:
purely on foot
he outstripped
distances,
and carried no sword or armour,
only nets on his shoulder,
axe or hammer or spade,
never fighting the rest of his species:
his exploits were with water and earth,
with wheat so that it turned into bread,
with giant trees to render them wood,
with walls to open up doors,
with sand to construct the walls,
and with ocean for it to bear.

I knew him and he is still not cancelled in me.

The carriages fell to pieces,

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Pablo Neruda

Waltz

I touch hatred like a covered breast;
I without stopping go from garment to garment,
sleeping at a distance.

I am not, I'm of no use, I do not know
anyone; I have no weapons of ocean or wood,
I do not live in this house.

My mouth is full of night and water.
The abiding moon determines
what I do not have.

What I have is in the midst of the waves,
a ray of water, a day for myself,
an iron depth.

There is no cross-tide, there is no shield, no costume,
there is no special solution too deep to be sounded,
no vicious eyelid.

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Pablo Neruda

The Tree Is Here, Still, In Pure Stone

The tree is here, still, in pure stone,
in deep evidence, in solid beauty,
layered, through a hundred million years.
Agate, cornelian, gemstone
transmuted the timber and sap
until damp corruptions
fissured the giant's trunk
fusing a parallel being:
the living leaves
unmade themselves
and when the pillar was overthrown
fire in the forest, blaze of the dust-cloud,
celestial ashes mantled it round,
until time, and the lava, created
this gift, of translucent stone.

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Love, We're Going Home Now

Love, we're going home now,
Where the vines clamber over the trellis:
Even before you, the summer will arrive,
On its honeysuckle feet, in your bedroom.

Our nomadic kisses wandered over all the world:
Armenia, dollop of disinterred honey:
Ceylon, green dove: and the YangTse with its old
Old patience, dividing the day from the night.

And now, dearest, we return, across the crackling sea
Like two blind birds to their wall,
To their nest in a distant spring:

Because love cannot always fly without resting,
Our lives return to the wall, to the rocks of the sea:
Our kisses head back home where they belong.

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‘March days return with their covert light’

March days return with their covert light,
and huge fish swim through the sky,
vague earthly vapours progress in secret,
things slip to silence one by one.
Through fortuity, at this crisis of errant skies,
you reunite the lives of the sea to that of fire,
grey lurchings of the ship of winter
to the form that love carved in the guitar.
O love, O rose soaked by mermaids and spume,
dancing flame that climbs the invisible stairway,
to waken the blood in insomnia’s labyrinth,
so that the waves can complete themselves in the sky,
the sea forget its cargoes and rages,
and the world fall into darkness’s nets.

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Pablo Neruda

The Question

Love, a question
has destroyed you.

I have come back to you
from thorny uncertainty.

I want you straight as
the sword or the road.

But you insist
on keeping a nook
of shadow that I do not want.

My love,
understand me,
I love all of you,
from eyes to feet, to toenails,
inside,
all the brightness, which you kept.

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Pablo Neruda

Someday, somewhere - anywhere, unfailingly, you'll find yourself, and that, and only that, can be the happiest or bitterest hour of your life.

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Sonnet XVII: I do not love you as if you were brine-rose, topaz

I do not love you as if you were salt-rose, or topaz,
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.

I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
risen from the earth, lives darkly in my body.

I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
so I love you because I know no other way

than this: where I does not exist, nor you,
so close that your hand on my chest is my hand,
so close that your eyes close as I fall asleep.

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